But the homeowners did not get on the renovation and reimagining of their 2,418-square-foot abode on your own. 1 of Lacey’s greatest buddies, fellow storytelling commercial director and designer Claire Thomas, led the inside design and style undertaking, with Rendell lending a hand on a personal passion, carpentry. “It is amazingly astonishing I fell so deeply in appreciate with the house from the initial listing pictures,” claims Lacey. “What I did see outside of the chocolate brown painted ceilings and stone tile bogs was a definitely particular put up-and-beam architectural treehouse with ground-to-ceiling home windows that invite in the lovely, protected canyon sights.” Claire and Lacey built it their occupation to return the home—originally developed by surfer-turned-architect Matt Kivlin—to its accurate character.
Soon after: “From a layout point of view, opening it up was a no-brainer,” states Lacey of the kitchen, which now flows into the dining and residing areas, complete with a fireplace that pays homage to the initial with glazed brick-like Fireclay tile. “What’s unique about the residence are the views, and everything really should be celebrating all those. Now we can be cooking and wanting out at the old sycamores and oaks, or capture deer coming down the hillside.” The family’s new kitchen area characteristics a Concrete Collaborative waterfall terrazzo counter with white oak cabinets painted a custom ochre color by Reform.
The late ’50s, to Claire, evoke earthy California tones of marigold and avocado. And in truth a eco-friendly, brown, yellow, and orange palette was solidified early on when she gained at auction a collection of classic Swissair posters depicting numerous aerial landscapes in all those colours. “They connected with that in general aesthetic we have been attempting to hit—really earthy California canyon, late ’50s, early ’60s references with planet traveler energy,” suggests Claire.
Right after: The eating space turns a vintage midcentury silhouette on its head many thanks to Folks Project’s classic dining chairs, which are upholstered in Guatemalan huipils. Stripping the ceiling beams of their dim brown paint breathed new existence into the open-plan residing house embraced by foliage.
